Drishyam The Conclusion: Director Abhishek Pathak Explains Why DSP Was Replaced by KGF Fame Ravi Basrur: ‘I Needed a Composer Who Would Have Sufficient Time’

Drishyam The Conclusion director Abhishek Pathak has opened up about the decision to replace composer Devi Sri Prasad (DSP) with Ravi Basrur for the much-awaited third chapter of the Ajay Devgn-led crime-thriller franchise. Pathak explained that the key reason was the need for a composer who could devote sufficient time to the film. Basrur, known for his work on the KGF films, has now taken on the musical responsibilities for the new Drishyam chapter.

Why Was DSP Replaced by Ravi Basrur in Drishyam The Conclusion?

The music department of Drishyam The Conclusion has undergone a significant change, with filmmaker Abhishek Pathak choosing Ravi Basrur over Devi Sri Prasad for the project.

Explaining the decision, Pathak said that the requirement was not simply about finding a different musical voice. He needed a composer who could give the film enough time and attention during its production.

According to the director, time and availability became important factors in deciding who would ultimately handle the music. Basrur was able to fit that requirement, making him the right choice for the project.

The change is particularly noteworthy because DSP is an established name with a strong body of work across Indian cinema. Replacing a composer of his stature for a major franchise naturally creates curiosity about the creative considerations behind the decision.

Abhishek Pathak Wanted a Composer With Sufficient Time

Pathak’s explanation suggests that the change was primarily driven by the demands of the filmmaking process rather than a simple change in musical preference.

For a thriller such as Drishyam The Conclusion, music and background score can play a crucial role in shaping tension. The right sound can make a seemingly ordinary scene feel suspicious, intensify an interrogation or amplify the emotional pressure on a character.

That means the composer needs to work closely with the director and edit, often making adjustments as the film evolves.

Pathak’s comments indicate that he wanted someone who could be sufficiently involved in that process. Ravi Basrur emerged as the composer who could provide the required availability.

Ravi Basrur Brings His KGF Experience to Drishyam

Ravi Basrur is widely recognised for his work on the KGF franchise, where his music and background score became an important part of the films’ larger-than-life cinematic identity.

His style is strongly associated with powerful soundscapes, dramatic orchestration and music that amplifies scale and intensity. However, Drishyam The Conclusion presents a very different storytelling challenge.

The Drishyam franchise is built less around spectacle and more around suspense, psychology, family and the careful construction of mystery. The music therefore has to support tension without overwhelming the narrative.

That makes Basrur’s involvement particularly interesting. The film could offer the composer an opportunity to demonstrate a more restrained and atmospheric side of his musical vocabulary.

Music Is Crucial to a Drishyam Thriller

In a franchise such as Drishyam, suspense often comes from what is not shown. A character’s expression, a pause in a conversation or a seemingly insignificant detail can become important.

Background music can subtly guide the audience through those moments.

A carefully placed musical cue can create unease without revealing the reason for it. Similarly, silence can sometimes be just as effective as a dramatic score.

For Drishyam The Conclusion, the music therefore has a job beyond simply providing songs. It has to become part of the storytelling architecture.

Basrur’s challenge will be to create a sonic identity that complements Vijay Salgaonkar’s latest battle while preserving the suspense-driven atmosphere that audiences associate with the franchise.

Drishyam The Conclusion Has a New Musical Direction

The change in composer means that the third Hindi Drishyam film will have a different musical approach from what audiences may have initially expected.

That does not necessarily mean the film will abandon the musical identity established by the earlier instalments. Instead, it could allow Pathak and Basrur to build a fresh soundscape for a new phase of Vijay’s story.

The film’s promotional material has already highlighted a darker and more intense continuation of the Salgaonkar family’s story. A new composer could help reinforce that shift through the background score.

Who Is Ravi Basrur?

Ravi Basrur has become one of the prominent names in contemporary Indian film music, particularly after his association with the KGF films.

His work on those movies helped establish a distinctive sonic identity that complemented their action-heavy narratives and larger-than-life characters.

His involvement with Drishyam The Conclusion represents a different kind of opportunity. Instead of building a soundscape around massive action and spectacle, he is working with a franchise whose greatest strength lies in suspense and character psychology.

The contrast makes his contribution one of the interesting creative elements to watch as the film approaches release.

Drishyam The Conclusion Is Not a Continuation of the Malayalam Drishyam 3 Story

The Hindi franchise is also taking an independent creative route with its concluding chapter. Reports around the film indicate that Drishyam The Conclusion follows a different storyline from the Malayalam franchise’s third instalment.

This gives the Hindi film greater freedom to develop its own narrative rather than simply reproducing an existing story.

Ajay Devgn returns as Vijay Salgaonkar, while Tabu, Shriya Saran and other familiar performers are also part of the film. New additions to the cast include Jaideep Ahlawat and Prakash Raj, adding fresh layers to the conflict.

Ajay Devgn Returns as Vijay Salgaonkar

At the centre of the franchise remains Vijay Salgaonkar, played by Ajay Devgn.

Vijay’s defining characteristic has always been his ability to anticipate danger and construct elaborate explanations to protect his family. But the latest chapter promises to place that carefully built world under renewed pressure.

With new characters entering the story and the investigation becoming more complicated, Vijay may be forced to think beyond the strategies that worked in the previous films.

This evolving tension also gives the music an important role. As the stakes increase, the background score can help communicate the psychological pressure surrounding Vijay and his family.

Tabu and Shriya Saran Return to the Franchise

Tabu and Shriya Saran are also returning to their respective roles, providing continuity for audiences invested in the Salgaonkar family’s story.

Tabu’s character remains closely connected to the investigation surrounding Vijay, creating one of the franchise’s most important intellectual conflicts. Shriya Saran’s Nandini, meanwhile, remains emotionally tied to Vijay and the family’s efforts to protect themselves.

The combination of returning characters and new faces allows the third film to maintain its established identity while expanding the conflict.

What Ravi Basrur’s Score Could Add to the Final Chapter

A concluding chapter requires a musical approach that can accommodate several emotional registers.

• Suspense: The score can build tension around investigations and hidden information.
• Family drama: Emotional themes can underline the pressure faced by the Salgaonkar family.
• Psychological conflict: Subtle musical elements can reflect Vijay’s increasingly difficult circumstances.
• Action: More powerful compositions can elevate moments where the thriller moves into physical confrontation.
• Finality: The music can help give important moments a sense of emotional closure.

Why the Composer’s Availability Can Matter During Film Production

Pathak’s explanation also highlights an often-overlooked part of filmmaking: the amount of collaboration required between a director and composer.

Film music is not necessarily completed in isolation. The score can evolve as scenes are edited, performances change in emphasis and the director reassesses how a sequence should feel.

A composer who has sufficient time to work through those iterations can contribute differently from someone managing several projects simultaneously.

For a suspense thriller, this process can be especially important because timing is everything. A musical cue arriving a few seconds too early or too late can completely change the impact of a scene.

What This Change Means for Drishyam The Conclusion

The decision to bring Ravi Basrur on board gives Drishyam The Conclusion an opportunity to establish a distinct musical personality.

Rather than treating the score simply as an extension of the earlier films, Pathak can use the change to underline the fact that this is a new stage in Vijay Salgaonkar’s journey.

At the same time, expectations will be high because Basrur’s name is strongly associated with some of the most recognisable action-film scores of recent years.

The key will be whether he can adapt that musical intensity to the more controlled world of the Drishyam thriller.

Drishyam The Conclusion Music Team

The Trailer Has Already Raised Expectations

The trailer of Drishyam The Conclusion was released on September 9 and has given audiences a glimpse into the next phase of Vijay Salgaonkar’s story. The film is scheduled to arrive in cinemas on October 2, 2026. 0

The promotional material introduces new threats while bringing back familiar characters, suggesting that Vijay’s carefully constructed world will face another serious challenge.

With the trailer now out, attention is likely to shift towards how the film expands its mystery, how the new characters affect the story and how Basrur’s music contributes to the atmosphere of the final chapter.

Final Take

Abhishek Pathak’s explanation for replacing DSP with Ravi Basrur in Drishyam The Conclusion offers an insight into the practical realities behind a major film’s creative decisions. The director wanted a composer who could dedicate sufficient time to the project, and Basrur emerged as the right fit for that requirement.

For Basrur, the film presents a chance to move from the massive sound of the KGF universe into the more psychologically driven world of Drishyam. That contrast could make the background score one of the most intriguing creative elements of the upcoming thriller.

With Ajay Devgn returning as Vijay Salgaonkar, Tabu and Shriya Saran reprising their roles, and new actors adding fresh conflict, Drishyam The Conclusion is shaping up to be a significant chapter for the franchise.

Whether Ravi Basrur’s score becomes as memorable as his KGF work will depend on how effectively it serves the suspense, emotion and finality of Vijay’s story.

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